Made by filmmaker Paul L. Hoefler in the early 1940s, this portrait of the peoples of the Belgian Congo presents views of native African people, making sure to emphasize their “savage” history and customs. The film starts with members of a tribe Hoefler identifies as formerly being cannibals. The film primarily studies the Bambouri saucer-lipped tribe. The lip plate, also known as a lip plug or lip disc, is a form of body modification. Increasingly large discs (usually circular, and made from clay or wood) are inserted into a pierced hole in either the upper or lower lip, or both, thereby stretching it. The term labret denotes all kinds of pierced-lip ornaments, including plates and plugs. The Mangbettu tribe in the central Congo is also profiled. people of Central Africa living to the south of the Niam-Niam in the Welle district of Belgian Congo. They number about a million. Their country is a table-land at an altitude of 2500 to 2800 ft. Despite its abundant animal life, luxuriant vegetation and rich crops of plantain and oil-palm, the Mangbettu have been some of the most inveterate cannibals in Africa; but since the Congo State established posts in the country (c. 1895) considerable efforts have been made to stamp out cannibalism. Physically the Mangbettu differ greatly from their negro neighbours. They are not so black and their faces are less negroid, many having quite aquiline noses. The beard, too, is fuller than in most negroes. They appear to have imposed their language and customs on the surrounding tribes, the Mundu, Abisanga, &c. Once a considerable power, they have practically disappeared as far as the original stock is concerned; their language and culture, however, remain, maintained by their subjects, with whom they have to a large extent intermixed. The men wear bark cloth, the art of weaving being unknown, the women a simple loin cloth, often not that. Both sexes paint the body in elaborate designs. As potters, sculptors, boatbuilders and masons the Mangbettu have had few rivals in Africa. Their huts, with pointed roofs, were not only larger and better built, but were cleaner than those of their neighbours, and some of their more important buildings were of great size and exhibited some skill in architecture.
Hoefler was a noted African explorer who headlined the movie Africa Speaks about an expedition to Africa in 1928, and published a book about it with the same title in 1931.
The Belgian Congo was a Belgian colony in Central Africa between 1908 and 1960 in what is now the Democratic Republic of the Congo (DRC).
Colonial rule in the Congo began in the late 19th century. King Leopold II of the Belgians persuaded the government to support colonial expansion around the then-largely unexplored Congo Basin. Their ambivalence resulted in Leopold’s creating a colony on his own account. With support from a number of Western countries, Leopold achieved international recognition for a personal colony, the Congo Free State, in 1885. By the turn of the century, however, the violence used by Free State officials against indigenous Congolese[disambiguation needed] and a ruthless system of economic extraction led to intense diplomatic pressure on Belgium to take official control of the country, which it did in 1908, creating the Belgian Congo.
During the 1940s and 1950s, the Congo had extensive urbanisation, and the colonial administration began various development programmes aimed at making the territory into a “model colony”. One of the results was the development of a new middle class of Europeanised African “évolués” in the cities. By the 1950s the Congo had a wage labour force twice as large as that in any other African colony.
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