75924 JAPANESE INTERNMENT DURING WWII “THE NISEI THE PRIDE AND THE SHAME”

Produced in 1965 as part of the “Twentieth Century” TV series with Walter Cronkite, THE PRIDE AND THE SHAME tells the story of the Japanese internment, and the brave actions of patriotic Japanese-Americans such as Daniel Inouye who bravely served in the U.S. Army as part of the 442nd during WWII.

Also contains footage of the aftermath of a Japanese submarine shelling the United States — at about the 4:09 mark you’ll see footage of the Santa Barbara refinery hit by the Japanese.

The 442nd Regimental Combat Team of the United States Army was a fighting unit composed almost entirely of American soldiers of Japanese ancestry who fought in World War II. Most of the families of mainland Japanese Americans were confined to internment camps in the United States interior. Beginning in 1944, the regiment fought primarily in Europe during World War II, in particular Italy, southern France, and Germany.

The 442nd Regiment was the most decorated unit for its size and length of service in the history of American warfare. The 4,000 men who initially made up the unit in April 1943 had to be replaced nearly 2.5 times. In total, about 14,000 men served, earning 9,486 Purple Hearts. The unit was awarded eight Presidential Unit Citations (5 earned in one month). Twenty-one of its members were awarded Medals of Honor. Its motto was “Go for Broke”.

The internment of Japanese Americans in the United States was the forced relocation and incarceration during World War II of between 110,000 and 120,000 people of Japanese ancestry who lived on the Pacific coast in camps in the interior of the country. Sixty-two percent of the internees were United States citizens. The U.S. government ordered the removal of Japanese Americans in 1942, shortly after Imperial Japan’s attack on Pearl Harbor.

Such incarceration was applied unequally due to differing population concentrations and, more importantly, state and regional politics: more than 110,000 Japanese Americans, nearly all who lived on the West Coast, were forced into interior camps, but in Hawaii, where the 150,000-plus Japanese Americans comprised over one-third of the population, only 1,200 to 1,800 were interned. The forced relocation and incarceration has been determined to have resulted more from racism and discrimination among whites on the West Coast, rather than any military danger posed by the Japanese Americans.

President Franklin D. Roosevelt authorized the deportation and incarceration with Executive Order 9066, issued February 19, 1942, which allowed regional military commanders to designate “military areas” from which “any or all persons may be excluded.” This power was used to declare that all people of Japanese ancestry were excluded from the entire West Coast, including all of California and much of Oregon, Washington and Arizona, except for those in government camps. Approximately 5,000 Japanese Americans voluntarily relocated outside the exclusion zone, and some 5,500 community leaders arrested after Pearl Harbor were already in custody, but the majority of mainland Japanese Americans were evacuated (forcibly relocated) from their West Coast homes during the spring of 1942. The United States Census Bureau assisted the internment efforts by providing confidential neighborhood information on Japanese Americans. The Bureau denied its role for decades, but this was finally proven in 2007. In 1944, the Supreme Court upheld the constitutionality of the removal by ruling against Fred Korematsu’s appeal for violating an exclusion order. The Court limited its decision to the validity of the exclusion orders, avoiding the issue of the incarceration of U.S. citizens with no due process. The U.S. government eventually disbursed more than $1.6 billion in reparations to 82,219 Japanese Americans who had been interned and their heirs.

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This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

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